TL;DR
Get art and craft supplies delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
London-based artist Rana Begum is presenting her first solo exhibition in New York at Lehmann Maupin, with 18 works spanning different series from her career. The works use materials including aluminum, glass and metal to make color and light appear to shift with a viewer’s position and changing conditions.
London-based artist Rana Begum is showing 18 works in her first solo exhibition in New York, at Lehmann Maupin. Drawn from series spanning her career, the works use industrial materials such as aluminum, glass, automotive parts and chain link to explore how light, form and color can change what viewers see as they move through a space.
One of the exhibition’s early works, “No. 1628” (2026), consists of powder-coated aluminum bars mounted on a wall. The bars have vivid yellow and pink sides. According to Hyperallergic’s report, their spacing produces shifting optical effects as viewers change position, including colors and geometric patterns that appear to emerge from the piece.
The work’s appearance also responds to its surroundings. Installed near a window, it seemed to change as sunlight shifted during the reporter’s hour-long visit, the report said. Begum described time as a feature of her work, saying viewers need to observe how it changes over the course of a day.
The exhibition gathers pieces from different series rather than presenting a single new body of work. In an interview with Hyperallergic during a gallery walk-through before the show opened, Begum described light, form and color as elements that coexist in each work, though their balance varies between series.
How the Works Change With Viewers
The exhibition draws attention to the gap between an artwork’s fixed materials and the changing experience of looking at it. In “No. 1628,” the bars remain in place, but the colors and patterns viewers perceive can shift with their position and with the available light. That makes movement and observation part of the encounter, rather than treating the work as an image to take in from one viewpoint.
Begum’s use of industrial materials also links the visual effects to physical construction: the bars’ color, spacing and placement help shape what appears. The report describes the show as a selection of work across her career, so it offers New York audiences a view of several related investigations, not just one installation or series. The source does not provide visitor numbers, sales information or a broader assessment of the exhibition’s reception.
Popular right now
Samsung 65-Inch The Frame Pro Neo QLED 4K TV (2026) Bundle with Modern Brown Bezel, HDMI Cables, and Home Theater Guide
Ninja Foodi Smart 6-in-1 Indoor Grill and Air Fryer, 4 Qt, Black/Silver, FG551
KitchenAid Classic Series 4.5-Quart Tilt-Head Stand Mixer, Onyx Black
As an affiliate, we earn on qualifying purchases.
A Career-Spanning Selection of Works
Begum told Hyperallergic that art first served as a tool for communication and later became an obsession. The report places her practice around the interplay of light, form and color, with different series giving greater emphasis to one element while retaining all three.
“No. 1628” belongs to a series Begum said she began around 2007, which she described as an anchor in her practice. Its inclusion alongside works from other series connects the exhibition’s optical effects to a longer-running line of inquiry. The source identifies the show as her first solo exhibition in New York but does not give a full exhibition checklist or detailed account of the other 17 works.
Exhibition Dates and Full Checklist
The source does not state the exhibition’s opening or closing dates, nor does it provide a complete list of the 18 works, their dimensions or their individual dates. It also does not establish how the exhibition has been received beyond the reporter’s account of a pre-opening visit. Claims about its effects remain descriptions of the experience reported by Hyperallergic and Begum’s account of her aims; viewers’ responses may differ.
Further Details From the Gallery
Lehmann Maupin’s exhibition page or the gallery can confirm the show’s current status, visiting information and closing date; those details are not included in the supplied report. The exhibition’s continued presentation will allow visitors to encounter the works directly, including the changes in appearance Begum described. No related public program, later exhibition or additional announcement is identified in the source material.
Key Questions
Where is Rana Begum’s New York exhibition?
It is at Lehmann Maupin. The supplied source does not give the gallery address or visiting hours.
How many works are in the exhibition?
The exhibition brings together 18 works from different series connected to Begum’s career.
What materials does Begum use?
The report names glass, automotive parts, chain link and metal, among other industrial materials. “No. 1628” is made from powder-coated aluminum.
What is “No. 1628”?
It is a 2026 work made of powder-coated aluminum bars with yellow and pink sides. The source says its spacing and the viewer’s position contribute to shifting optical effects.
When does the exhibition close?
The supplied report does not state a closing date. Check with Lehmann Maupin for current exhibition dates and visitor information.
Source: rss
