TL;DR
Get art and craft supplies delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
Moroccan artist Amine El Gotaibi is presenting Wind From the North, a new group of metal-and-wool sculptures, at Southern Guild in New York through January 9, 2027. The works use weathered copper and steel with cascading wool fibers to explore landscape, memory and the boundaries drawn around places. The exhibition statement frames geography as interconnected rather than fixed.
Moroccan artist Amine El Gotaibi is showing a new group of metal-and-wool sculptures in Wind From the North, an exhibition at Southern Guild in New York that runs through January 9, 2027. The works pair aged copper or steel with wool fibers, bringing together materials associated with time, landscape and craft as the artist considers how people understand place and national boundaries.
The sculptures begin with panels of copper or steel weathered over time, their surfaces marked by oxidation. El Gotaibi attaches beige and rust-colored wool to the metal, sometimes gathering it into tightly knotted tufts and sometimes allowing the fibers to flow downward. The combination sets the changing surface of the metal against wool forms that suggest movement and terrain.
Works identified in the report include Desert Wind (2026), made with Corten steel and wool and measuring 200 by 130 by 50 centimeters, and Reflection (2026), made with copper and wool and measuring 346 by 185 by 40 centimeters. The report also identifies pieces titled Kinetic 1, Kinetic 2 and Mountain and Desert. It does not provide a complete checklist of the exhibition.
El Gotaibi connects the cascading fibers to the undulating forms of mountains and countryside in Morocco and North Africa. The report says wool is significant in the highlands, where textile production is among the region’s oldest craft traditions. The material therefore carries both a visual role in the sculptures and a connection to the artist’s interest in the cultural history of the region.
Wool Connects Landscape and Craft
The exhibition brings together material, geography and cultural memory rather than treating sculpture as an abstract arrangement of surfaces alone. The weathered metal suggests change occurring over time, while the wool links the works to regional textile practices and to the landscapes El Gotaibi is examining. These connections give viewers a way to read the forms through both physical materials and the artist’s stated interests.
The show also puts forward a challenge to assumptions about where African cultural contributions are understood to originate. According to the report, El Gotaibi is interested in contesting the idea that such contributions are most likely to emerge from central and southern Africa. His focus on Morocco and the continent’s northern region gives the exhibition a particular geographic point of view, while its title and artist statement question the permanence of borders.
That perspective matters because the exhibition treats geography not simply as a map of fixed territories but as something shaped by movement, memory and exchange. This is the framework offered by the artist and exhibition statement; it is not a claim that the sculptures settle political questions about borders. Instead, the works make those questions part of how viewers encounter their materials and forms.
Popular right now
Dyson Ball Animal 3 Upright Vacuum – Corded, 290 AW, De‑tangling Motorbar Cleaner Head, 3 Suction Modes
iRobot Roomba 105 Combo Robot Vacuum and Mop
Ninja CREAMi 7-in-1 Ice Cream Maker, NC301
As an affiliate, we earn on qualifying purchases.
The Exhibition’s North African Focus
In the report, El Gotaibi describes wind as moving freely across territories, without regard for the directional categories people use to divide them. He says that nature’s indifference to national boundaries is an entry point for examining the forces that shape perceptions and memories of place. That statement provides a direct link between the exhibition’s title and its attention to borders.
The exhibition statement describes geography as porous and interconnected, shaped by what passes through it as well as by lines drawn around it. The wool and metal works give that idea a physical form: fibers extend across aged panels, while the weathered surfaces record change. Southern Guild is presenting the exhibition in New York, where it remains open through January 9, 2027.
““Wind knows neither North nor South. Neither East nor West. It moves freely across territories, indifferent to the categories that divide them.””
— Amine El Gotaibi
Details Beyond the Reported Works
The available report identifies several sculptures and describes the materials and themes, but it does not list every work, provide prices, or give details about any related public programs. It also does not specify when the exhibition opened, beyond describing it as on view that month. Readers should treat the stated closing date, January 9, 2027, as the clearest published timing detail.
The report presents the artist’s views on borders, cultural contribution and landscape, along with the exhibition statement’s account of geography. It does not include independent responses from curators, visitors or other artists, so the reception of the show and the range of interpretations of individual sculptures are not established by the source material.
The Show Runs Through January
Wind From the North remains on view at Southern Guild in New York through January 9, 2027. The reported next step for visitors is to see the exhibition before it closes; the source material does not announce a tour, additional dates or a forthcoming related event. Any further presentation plans have not been provided.
Key Questions
Where is Wind From the North on view?
The exhibition is at Southern Guild in New York, according to the report.
How long is the exhibition open?
It is scheduled to remain on view through January 9, 2027.
What materials does El Gotaibi use?
The sculptures combine weathered copper or steel with wool. The fibers appear as knotted tufts or loose, cascading forms.
What ideas does the exhibition address?
El Gotaibi connects the works to landscape, memory, textile traditions and national boundaries, with a focus on Morocco and North Africa.
Source: thisiscolossal.com
