A Hyperallergic editor argues that cultural institutions should pay writers rather than rely on AI for public-facing art texts.
Dear Art World, We Can Tell When You’re Using AI
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Arts
466 posts
‘The Department Of Objects’ Brings The Charm Of Sleep-Away Camp To Chicago
A Chicago exhibition brings together work by four artists who spent five days at Wisconsin’s Camp Wandawega during a winter residency.
Gowanus Open Studios Turns 30
The 30th Gowanus Open Studios featured more than 100 sites, connecting local artists’ work with changes to the Brooklyn neighborhood.
Beer With A Painter: Melissa Brown
Hyperallergic’s Beer With a Painter interview profiles Melissa Brown’s layered paintings and discusses her artistic influences, education and work.
Art Books On Needles And Threads
Hyperallergic’s books newsletter recommends 12 titles on textiles and fiber art, alongside criticism on John Berger, Vermeer and Dorothea Tanning.
In ‘Aeolus,’ DRIFT Suspends Illuminated Glass Rods In A Sculpture Of The Wind
DRIFT’s interactive installation ‘Aeolus’ uses illuminated glass rods and visitor movement at Carpenters inside London’s Ladbroke Hall through Oct. 25.
Diasporican Abstraction: A Cross-Border Cartography Of Puerto Rican Abstraction
Museo de Arte Contemporáneo de Puerto Rico presents a survey of more than 60 artists exploring abstraction, migration and diasporic identity.
Smiles Meyer Queers “The Last Supper”
Photographer Smiles Meyer’s 2024 series reworks Leonardo da Vinci’s ‘The Last Supper’ with trans models to explore identity and religious trauma.
Come Face-to-Face With The Lion Nebula In The James Webb Space Telescope’s Portrait
NASA’s Webb telescope captured the Lion Nebula with NIRCam and MIRI, revealing gas shells, rings and dust around a dying star.
The Buffalo Haunts America
A Hyperallergic review examines Cannupa Hanska Luger’s ‘American Traditional,’ an exhibition confronting the slaughter of bison during US expansion.
