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DOC NYC is scheduled to run across New York City from Nov. 11 through Nov. 29, 2026, with in-person and online screenings. Hyperallergic’s preview selected 13 films, including documentaries about Frida Kahlo’s commercial image and Shipibo-Konibo artist Sara Flores; the supplied material gives details for those two titles.
DOC NYC is scheduled to return Nov. 11-29, 2026, with screenings at venues across New York City and online, and a Hyperallergic preview has selected 13 art-related documentaries from the festival’s 17th edition. The films highlighted in the supplied report include a look at the afterlife of Frida Kahlo’s image and a documentary about Shipibo-Konibo painter Sara Flores.
Among the titles with screening information in the preview is Frida: The Girl Just Doesn’t Go Away, directed by Trisha Ziff. The film is listed for Nov. 14 and 16 at Village East by Angelika in Manhattan. The report frames Kahlo as a political and feminist icon whose face has also become a widely marketed image on objects such as mugs, clothing and decorative goods. Ziff’s documentary examines that commercial fascination and the way Kahlo’s public image can take on a life apart from her work and motivations.
The preview also features The Hummingbird Paints Fragrant Songs, directed by Èlia Gasull Balada and Matteo Norzi, with a screening listed for Nov. 11 at SVA Theatre. The documentary follows Sara Flores, a Shipibo-Konibo artist, and grew out of a decade-long collaboration, according to the report. Flores uses natural dyes sourced from her home in the Peruvian Amazon to create intricate geometric paintings associated with the Shipibo-Konibo practice of Kené.
Hyperallergic describes Flores’s art as connecting visual form with matrilineal knowledge and as a form of resistance to environmental, political and social harms. That characterization is the publication’s account of the film and the artist’s practice; the supplied material does not include a statement from Flores herself. The report says the festival’s program includes stories about artists’ legacies and communities under threat, alongside what it calls idiosyncratic art-related subjects.
Artists’ Images and Living Traditions
The two described films point to different questions about how art circulates and who controls its meaning. Kahlo’s image has become a commercial brand, creating a gap between the artist’s political life and the products that reproduce her likeness. The documentary’s focus on that gap gives audiences a way to consider how an artist’s public legacy is shaped after death, rather than treating merchandising as separate from art history.
Flores’s story shifts attention from a globally familiar image to a living Indigenous artist working within a specific cultural tradition. The preview connects her painting to Shipibo-Konibo knowledge and environmental pressures. For festivalgoers, the pairing suggests a program that considers both the market’s power to detach an image from its history and the role of artistic practice in sustaining community identity. The broader significance will depend on what the films themselves show; the preview is a guide, not a substitute for viewing them.
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The Festival’s November Schedule
DOC NYC’s 17th edition is scheduled to take place Nov. 11 through Nov. 29, 2026, at venues throughout New York City, with online viewing also included in the preview’s description. The publication presents its 13 selections as films it looks forward to seeing in person or online, rather than as a ranked list or a complete account of the festival program.
The source material identifies specific dates and venues for the two films described here: The Hummingbird Paints Fragrant Songs is listed at SVA Theatre on Nov. 11, while Frida: The Girl Just Doesn’t Go Away is listed at Village East by Angelika on Nov. 14 and 16. The preview’s opening also mentions films about a giant pencil that became a local gathering place, collagist Romare Bearden and artist Molly Tenzer’s impressions of roadkill. It does not provide enough details in the supplied text to report their screening schedules or directors.
“The festival “returns to venues throughout the city from November 11 through November 29.””
— Hyperallergic’s DOC NYC preview
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Screening Access and Film Details
The supplied report does not establish whether the festival’s dates, screenings or online access have changed since publication. It also provides no ticket prices, booking instructions, streaming windows or access restrictions. Readers should check DOC NYC’s official schedule for current availability before making plans.
The source excerpt gives details for only two of the 13 films selected by Hyperallergic, so the full selection and its screening information cannot be reconstructed from this material. It also does not include direct comments from the filmmakers or Flores, or further evidence about the films’ conclusions. Descriptions of themes and artistic significance should therefore be understood as the preview’s framing, not as independently verified findings.
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Check Dates Before Booking
The next practical step for viewers is to consult DOC NYC’s official program for the latest screening times, tickets and online availability. The dates listed in the preview place The Hummingbird Paints Fragrant Songs on the festival’s opening day, Nov. 11, and Frida: The Girl Just Doesn’t Go Away on Nov. 14 and 16; those listings should be checked against the current schedule.
As the festival approaches, a complete program and any updates from the organizers will clarify how the other films in Hyperallergic’s 13-title selection fit into the schedule. The supplied material does not specify additional announcements or milestones.
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Key Questions
When is DOC NYC scheduled to take place?
The festival is scheduled for Nov. 11-29, 2026, at venues around New York City, with online viewing also referenced in Hyperallergic’s preview.
Which art documentaries are highlighted in the report?
The supplied preview details Frida: The Girl Just Doesn’t Go Away, directed by Trisha Ziff, and The Hummingbird Paints Fragrant Songs, directed by Èlia Gasull Balada and Matteo Norzi. It also names subjects including Romare Bearden and artist Molly Tenzer, without giving their full screening details in the excerpt.
When and where is the film about Sara Flores screening?
The preview lists The Hummingbird Paints Fragrant Songs at SVA Theatre on Nov. 11. Viewers should check DOC NYC’s official schedule for current times and availability.
What does the Frida Kahlo documentary examine?
According to Hyperallergic’s preview, Ziff’s film examines the commercial circulation of Kahlo’s image and how her public persona can become detached from her politics, life and work.
Are the listed screenings and online options confirmed as current?
The source provides festival dates and screening listings, but the supplied material does not confirm whether details have since changed or give online access terms. Check the festival’s official program before booking.
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